Let me introduce this For KSR Ceres 3channel preamp to my brothers today! !First, the landing stage is divided into three channels:1.The first unvoiced channel is also the clean sound2.The second rhythm channel is also rhythm3.The third SOLO channel is also LeadTips: A power supply of 9V 200mA internal negative and external positive must be used. The voltage cannot exceed 9.7V and cannot be lower than 200mA.For ksr, this floor-to-ceiling preamplifier, it is loaded with three classic ksr amps. The timbre is of course the distortion overload timbre.1.They are Ksr’s Ares 50 crunch timbre2.and ksr’s Artmis 100 amp.3.There is also the distortion sound of ksr's colossus H100, which means that there are three classic amp sounds in this box, plus a set of unvoiced channels and a set of buffer channels! And it is a real bypass pass-through, and the function is very powerful!And in the state of clean or bypass or buffer, you can switch the distortion rhythm or solo type with one foot. The design is very user-friendly.And the rhythm or solo modes have gain, low frequency, mid frequency, high frequency, and volume control respectively. They are not shared! ! !Then in each group, there are three different modes of low frequency, thin thickness and bright, and three different modes of middle frequency, which are freely selected by the brothers.Then the last block is the most important thing. We are most concerned about it. This block is to select the distortion type. It can be considered to select the sound of the three amplifiers included. The above is the Ares crunch. This is the analog of the Ares50 amplifier. , Suitable for group blues, rock and pop, etc., his gain is moderate and suitable for some popular styles! Then we can turn the ok tone in the middle of the broadcast block into the tone of the Artemis100 amp. This gain will be significantly larger than the gain of Ares50. It is suitable for those brothers who like high gain. Rock! Metal etc.Then we broadcast the broadcast to the bottom. There is no need to question the sound of the simulated colossH100 amp. The gain of this amp is not much different from the gain of Artemis100. Of course, it is also suitable for rock and metal new school.Here I have to tell my brothers that no matter which amplifier we choose, normal overload can be completed. This requires brothers to adjust the Gain knob to complete it by themselves.Whether it is the rhythm mode or the solo mode, you can set the two tones according to your own wishes. This requires the brothers to adjust by themselves. Of course, if the brothers feel that the gain is not enough, they can connect a fader in series in front of the device. It boosts its gain and dynamics, but I personally think that it’s really unnecessary to push if you don’t need to push it (its dynamics is simply too good, I feel that my hands are already disobedient, as if playing all the box dynamics (Great) ~~~~~~~~~~~~~ Then introduce the unvoiced channel. If we choose the unvoiced channel, whether it is clean or bypass or buffer, you can connect the main audio source in front of this device. The main audio source here refers to the main audio source. It is overloaded distorted metal or fuzz! ! However, if the main audio source is connected, it is not recommended to turn on the three amp modes inside, even if it is a string! Don't give enough gain to match the gain and adjustment of the main audio source connected in series! ! !Forgot to mention that the unvoiced channel is divided into two control levels, Level and tone, and the buffer channel does not have an adjustable knob.Then there is a very beautiful light. In the upper left corner of the broadcast block, the clean channel on the upper side is green, the bypass is off, and the lower is fluorescent green, which is buffer. Then step on the bypass to switch the unvoiced/pass-through/or buffer.Or the three-mode amp head mode, when the rhythm is blue, the solo is blue and white.Finally, let’s talk about how to string into the back stage or cabinet simulation. First, we can directly string into the back stage input of the amp, which is the return under the loop of our amp or speaker.Second, we can string in the analog input of the cabinet without the preamp and then enter the mixer or sound cardThird, if there is an original clone of our studio’s simplifier, you can go directly to the R port of the return, and then enter the sound card or enter the post-level or enter the mixer or the store audioFourth, you can enter the input of our studio simplifier, which is the pre-level, but brothers must reduce the gain of our simplifier, no more than 9 o’clock at most.Finally, enter the serious unvoiced sound of our guitar amp. If it is a single channel, that is, our guitar amp does not have distortion and the unvoiced switch can not be switched. But the last fourth method I don't recommend! !Then it is how to connect the peripherals. This is also very simple. The out directly enters the delayed reverberation and then enters our speaker amplifier or cabinet analog input or our simplifer! ! ! !